The Cleveland Museum of Art

Collection Online as of March 29, 2024

The Burning of the Houses of Lords and Commons, 16 October 1834

The Burning of the Houses of Lords and Commons, 16 October 1834

1835
(British, 1775–1851)
Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)

Did You Know?

Turner painted two versions of this event. Cleveland's painting views the fire downriver, from the southeast bank of the Thames, while the second version at the Philadelphia Museum of Art views the fire from directly across Westminster Bridge.

Description

Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river. The blaze burned uncontrollably for hours.

J. M. W. Turner records the struggle as the boats in the lower-right corner head toward the flames. Although Turner based the painting on an actual event, he magnified the height of the flames, using the disaster as the starting point to express man’s helplessness when confronted with the destructive powers of nature. Brilliant swathes of color and variable atmospheric effects border on abstraction.
  • Bought from the artist by John Garth Marshall [1765-1845], Headingly House, Leeds, United Kingdom, and by descent.
    1888
    (Christie's, London, United Kingdom, April 28, 1888, under the name of Ponsford.
    Descended in the Marshall family through Victor Marshall of Mark Coniston to James Marshall.
    1920
    (Leicester Gallery, London, United Kingdom, 1920, sale; but returned to owner)
    1922
    (Knoedler, London, United Kingdom, 1922, sold to John L. Severance)
    1922-1936
    John L. Severance [1863-1936], Cleveland, OH, by bequest in 1936 to the Cleveland Museum of Art
    1942-
    The Cleveland Museum of Art, Cleveland, OH
  • Morse, John D. Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists. New York, NY: Abbeville Press, 1979. Reproduced: p. 280
    Waagen, Gustav Friedrich. Works of Art and Artists in England. London, United Kingdom: J. Murray, 1838. Reproduced: p. 152, vol. II
    Royal Academy of Arts. Exhibition of the Works of the Old Masters. London, United Kingdom: Printed by Wm. Clowes and Sons, 1870. Reproduced: no. 215
    Thornbury, Walter. Life of J.M.W. Turner, R.A., Founded on Letters and Papers Furnished by His Friends and Fellow-Academicians. New York, NY: Holt, 1877. Mentioned: p. 327, vol. I, p. 217, vol. II
    Monkhouse, W. Cosmo. The Turner Gallery; A Series of One Hundred and Twenty Engravings from the Works of the Late J.M.W. Turner, R.A. New York, NY: D. Appleton and Company, 1879. Reproduced: p. 118
    Armstrong, Walter.Turner. London, United Kingdom: Agnew, 1902. Mentioned: p. 117,120,146-147,236
    Chignell, Robert. J.M.W. Turner, R.A. London, United Kingdom: Walter Scott Pub. Co, 1902. Reproduced: p. 197
    Ruskin, John, Edward Tyas Cook, and Alexander D. O. Wedderburn. The Works of John Ruskin. London, United Kingdom: George Allen, 1903. Mentioned: p. 423-424, vol. 3; Reproduced: p. 389, vol. 12
    Graves, Algernon. The Royal Academy of Arts; A Complete Dictionary of Contributors and Their Work from Its Foundation in 1769 to 1904. London, United Kingdom: H. Graves and Co, 1905. Reproduced: p. 39
    Graves, Algernon. Century of Loan Exhibitions 1813-1912. London, United Kingdom: Graves, 1913. Mentioned: p. 1334. vol. 3, Reproduced: p. 1336
    Hind, C. Lewis. Turner's Golden Visions. London, United Kingdom: T.C. & E.C. Jack, 1925. Reproduced: p. 183
    Whitley, William T. Art in England, 1821-1837. Cambridge, United Kingdom: University Press, 1930. Reproduced: p. 298
    Cleveland Museum of Art. Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition : June Twenty-Sixth to October Fourth 1936. Cleveland, OH: Cleveland Museum of Art, 1936. no. 249
    John Long Severance Art Collection Photographs: Furniture, Cleveland Museum of Art Archives. Reproduced: p. 301 archive.org
    Finberg, A. J. The Life of J.M.W. Turner, R.A. Oxford, United Kingdom: Clarendon Press, 1939. Reproduced: p. 500, no. 463, pl. 18
    Catalogue of the John L. Severance Collection: Bequest of John L. Severance, 1936. [Cleveland, Ohio]: Cleveland Museum of Art, 1942. Reproduced: p. [23], Plate IX, cat. no. 16; Mention: p. 25, cat. no. 16 archive.org
    Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945. Reproduced: p. 20 archive.org
    Constable, W. G., and Henry Preston Rossiter. An Exhibition of Paintings, Drawings and Prints by J.M.W. Turner, John Constable [and] R.P. Bonington. March 21 to April 28, 1946. Bsoton, MA: Museum of Fine Arts, 1946. Reproduced: no. 11
    An Exhibition of Paintings by J.M.W. Turner (1775-1851) to Commemorate the Centennial of His Death. Toronto, Ontario: Art Gallery of Toronto, National Gallery of Canada, 1951. Reproduced: no. 9
    Berenson, Bernard. Seeing and Knowing. New York, NY: Macmillan, 1953. Mentioned: p. 33; Reproduced: p. 48, no. 86
    Turner in America: Oils, Water Colors, Drawings, and Some Engraved Works of Joseph Mallord William Turner, English, 1775-1851. Indianapolis, IN: Art Association of Indianapolis, 1955. Reproduced: no. 38
    The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 476 archive.org
    Arts Council of Great Britain. The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, 10 July to 27 September 1959 [at] the Tate Gallery and the Arts Council Gallery, London. London, United Kingdom: Arts Council of Great Britain, 1959. Reproduced: no. 353, pl. 48
    Rothenstein, John, and Martin Butlin. Turner. New York, NY: G. Braziller, 1964. Mentioned: p. 48-50, 54; Reproduced: p, 64, opl. xvii
    Birren, Faber. History of Color in Painting, With New Principles of Color Expression. New York, NY: Reinhold Pub. Corp, 1965. Reproduced: p. 261, pl. xi; Mentioned: p. 185, 260
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 183 archive.org
    Lindsay, Jack. J.M.W. Turner: His Life and Work; A Critical Biography. Greenwich, CT: New York Graphic Society, 1966. Mentioned and reproduced: p. 178-182, 187, 204
    Gowing, Lawrence. Turner: Imagination and Reality. New York, NY. Museum of Modern Art,1966. Mentioned: p. 45,59; Reproduced: no, 10
    Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. New York, NY: H.N. Abrams, 1968. Reproduced: p. 16, pl. 2
    Gatt, Giuseppe. Turner: The Life and Work of the Artist Illustrated with 80 Colour Plates. London, United Kingdom: Thames & Hudson, 1968. Mentioned: p. 33; Reproduced: pl. 49-50
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 183 archive.org
    Graves, Algernon. The British Institution, 1806-1867; A Complete Dictionary of Contributors and Their Work from the Foundation of the Institution. Bath, United Kingdom: Kingsmead Reprints, 1969. Reproduced: p. 545
    Gage, John. Color in Turner; Poetry and Truth. New York. NY: Praeger, 1969. Mentioned: p. 117, 252; Reproduced on dust jacket
    Reynolds, Graham. Turner. London, United Kingdom: Thames & Hudson, 1969. Mentioned: p. 81, 165; Reproduced: p. 214, pl. 142
    Hirsh, Diana. The World of Turner, 1775-1851. New York, NY: Time-Life Books, 1969. Mentioned and reproduced: p. 154-155
    Blunden, Maria, Godfrey Blunden, and James Emmons. Impressionists and Impressionism. Geneva, Switzerland : Skira; New York, NY : Distributed in the United States by World Pub. Co., 1970. Reproduced: p. 98
    Munro, Thomas. Form and Style in the Arts: An Introduction to Aesthetic Morphology. Cleveland, OH: Press of Case Western Reserve University, 1970. Reproduced: pl. II
    Turner, J. M. W. Tānā = Turner. Tokyo, Japan: Bijutsu shuppan-sha, 1970. Reproduced: p. 5
    L'impressionnisme. Paris, France: Réalités, 1971. Reproduced: p. 38
    Valsecchi, Marco. Landscape Painting of the 19th Century. Greenwich, CT: New York Graphic Society, 1971. Reproduced: p. 371, pl. 9
    Clark, Kenneth. The Romantic Rebellion: Romantic Versus Classic Art. London, United Kingdom: Sotheby Parke Bernet Publications Ltd., 1973. Reproduced: p. 256
    Philadelphia Museum of Art, and George H. Marcus. Treasures of the Philadelphia Museum of Art and the John G. Johnson Collection. Philadelphia, PA: The Museum, 1973. Reproduced: p. 73
    Centraal Museum (Utrecht, Netherlands). Landschap in Utrecht: Centraal Museum Utrecht, 18 september-3 november 1974. [Utrecht]: [Centraal Museum], 1974. Reproduced: p. 18
    Tate Gallery. Turner, 1775-1851. London, United Kingdom: Tate Gallery Publications, 1974. Reproduced: p. 142
    Herrmann, Luke. Turner: Paintings, Watercolors, Prints & Drawings. Boston, MA: New York Graphic Society, 1975. Reproduced: p. 42, pl. 133
    Selz, Jean. Turner. New York, NY: Crown Publishers, 1975. Reproduced: p. 59
    Butlin, Martin, and Evelyn Joll. The Paintings of J.M.W. Turner. New Haven, CT: Published for the Paul Mellon Centre for Studies in British Art and the Tate Gallery by Yale University Press, 1977. Reproduced: no. 364, vol. I and pl, 339, vol. 2
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 208 archive.org
    Honour, Hugh. Romanticism. New York, NY: Harper & Row, 1979. Mentioned: p. 97; Reproduced: p. 383, fig. 51
    Thomas, David. J.M.W. Turner. London, United Kingdom: Medici Society, 1979. Reproduced: p. 18
    Wilton, Andrew. J.M.W. Turner: His Art and Life. New York, NY: Rizzoli, 1979. Reproduced: p. 218, 364
    Wilton, Andrew. Turner and the Sublime. London, United Kingdom: Published by British Museum Publications for the Art Gallery of Ontario, the Yale Center for British Art, the Trustees of the British Museum, 1980. Reproduced: p. 97
    Joll, Evelyn, Martin Butlin, and Gemma Verchi. L'opera completa di Turner. Milano, Italy: Rizzoli, 1982. Reproduced: no. 377
    Paulson, Ronald. Book and Painting: Shakespeare, Milton, and the Bible : Literary Texts and the Emergence of English Painting. Knoxville, TN: University of Tennessee Press, 1982. Mentioned: p. 147; Reproduced: p. 149 p.
    Gealt, Adelheid M. Looking at Art: A Visitor's Guide to Museum Collections. New York, NY: R.R. Bowker, 1983. Mentioned: p. 367-368; Reproduced: pl. 10
    Butlin, Martin, and Evelyn Joll. The Paintings of J.M.W. Turner. New Haven, CT: Published for the Paul Mellon Centre for Studies in British Art and the Tate Gallery by Yale University Press, 1984. Mentioned: p. 208, vol. 1; Reproduced: p, 210, no. 364
    Solender, Katherine. Dreadful Fire!: Burning of the Houses of Parliament. Cleveland, OH: Cleveland Museum of Art, 1984. Reproduced: no. 12
    Heffernan, James A. W. The Re-Creation of Landscape: A Study of Wordsworth, Coleridge, Constable, and Turner. Hanover, CT: Published for Dartmouth College by University Press of New England, 1984. Mentioned: p. 24; Reproduced: p. 223, fig. 43
    Cleaver, Dale G. Art: An Introduction. San Diego, CA: Harcourt Brace Jovanovich, 1985. Reproduced: p. 281, fig. 17-5
    Lindsay, Jack. Turner: The Man and His Art. London, United Kingdom: Granada, 1985. Mentioned: p. 123-125; Reproduced: pl. 15
    Dorment, Richard. British Painting in the Philadelphia Museum of Art: From the Seventeenth Through the Nineteenth Century. Philadelphia, PA: Philadelphia Museum of Art, 1986. Mentioned: p. 396,398, 401; Reproduced: fig. 111-1
    Kroeber, Karl. British Romantic Art. Berkeley, CA: University of California Press, 1986. Mentioned: p. 168, 169; Reproduced: fig. 10
    Larson, Dean M. Studying with the Masters: Lessons from Rubens, Velázquez, Turner, Degas, Monet, Sargent, Matisse. New York, NY: Watson-Guptill Publications, 1986. Reproduced: p. 48
    Eitner, Lorenz. An Outline of 19th Century European Painting: From David Through Cézanne. New York, NY: Harper & Row, 1987. Mentioned: p. 149, vol. 1; Reproduced: fig. 133
    Gage, John. J.M.W. Turner: A Wonderful Range of Mind. New Haven, CT: Yale University Press, 1987. Mentioned: p. 226; Reproduced: p. 233, no. 89, fig. 320
    Kurtz, Bruce D. Visual Imagination: An Introduction to Art. Englewood Cliffs, NJ.: Prentice-Hall, 1987. Reproduced: p. 178, fig. 7-19
    Wilton, Andrew. Turner in His Time. New York, NY: H.N. Abrams, 1987. Mentioned: p. 183-184; Reproduced: p. 206
    Adams, Steven. The Art of the Pre-Raphaelites. Secaucus, NJ.: Chartwell Books, 1988. Reproduced: p. 46
    Robinson, Jeremy. The Light Eternal: A Study of J.M.W. Turner. London, United Kingdom: Crescent Moon, 1989. Reproduced: p. 64
    Ginzburg Carignani, Silvia. Turner. New York, NY: Arch Cape Press, 1990. Reproduced: p. 17, fig. 43
    Klien, Wolfgang. Der Siegeszug der Landschaftsmalerei: eine Entwicklungsgeschichte der Landschaftsmalerei in Europa. Hamburg, Germany: Jahn & Ernst, 1990. Reproduced: p. 71
    Ferrier, Jean-Louis, and Sophie Monneret. L'aventure de l'art au XIXe siècle. Paris. France: Hachette 1991. Reproduced: p. 378
    Mathes, Charles. Treasures of American Museums. New York, NY: Mallard Press, 1991. Reproduced: p. 121, fig. 6
    Meyer, Laure. Les maîtres du paysage anglais: de la Renaissance à nos jours. Paris, France: Terrail, 1992. Mentioned: p. 110; Reproduced: p. 112-113
    Lyles, Anne. Turner: the Fifth Decade: Watercolours 1830-1840. London, United Kingdom: Tate Gallery, 1992. Mentioned and reproduced: p. 71-73
    Nagata, Yoshio. Tānā = William Turner. Tōkyō, Japan: Asahi Shinbunsha, 1992. Reproduced: pl. 50
    Breuille, Jean-Philippe. L'Art du XIXe siècle: dictionnaire de peinture et de sculpture. Paris, France: Larousse, 1993. Reproduced: p. 719
    Daniels, Stephen. Fields of Vision: Landscape Imagery and National Identity in England and the United States. Cambridge, United Kingdom: Polity, 1993. Mentioned: p. 130, 132, 134; Reproduced: p. 136, fig. 8
    Robinson, Michelle, and J. M. W. Turner. J.M.W. Turner's The Burning of the Houses of Parliament, 16th October, 1834, an Allegory of Misrule. [Place of publication not identified]: [publisher not identified], 1994. Reproduced: p. 48
    Kenner, Robert. J.M.W. Turner. New York, NY: H.N. Abrams, 1995. Reproduced: p. 76
    Egerton, Judy. Turner, the Fighting Temeraire. London, United Kingdom: National Gallery Publications, 1995. Reproduced: p. 79
    Liversidge, M. J. H., and Catharine Edwards. Imagining Rome: British Artists and Rome in the Nineteenth Century. London, United Kingdom: Merrell Holberton, 1996. Reproduced: p. 51
    Rosenthal, Michael. "Turner in Australia." Apollo: The International Magazine for Collectors 144 (October 1996): 51. Reproduced: p. 51
    Lloyd, Michael. Turner. Canberra, Australia, ACT: National Gallery of Australia, 1996. Mentioned: p. 87-99; Reproduced: p. 89, 231
    Strasser, René. Die Stadt als Landschaft. Rorschach, Switzerland: E. Löpfe-Benz AG, 1997. Reproduced: p. 61
    Suzuki, Haruo, and Chieko Hasegawa. 100 chefs-d'œuvres du monde. Tokyo, Japan: Kyuryudo, 1997. Reproduced: p. 97, no. 45
    Bailey, Anthony. Standing in the Sun: A Life of J.M.W. Turner. New York, NY: Harper Collins Publishers, 1998. Mentioned: p. 288-299, 301, 333-335; Reproduced: 358-359
    Rottmann, Carl, Christoph H. Heilmann, and Erika Rödiger-Diruf. Landschaft als Geschichte: Carl Rottmann, 1797-1850, Hofmaler König Ludwigs I. München, Germany: Hirmer, 1998. Reproduced: p. 43, pl. 9
    Lammerhuber, Lois, and Alexander Smoltczyk. Das Dach der Welt seine Geschichte, seine Magie, sein Gesicht und seine Sprache. Baden, Germany: Ed. Lammerhuber, 1998.
    Marceau, Jo. Art: A World History. London, United Kingdom: Dorling Kindersley, 1997. Reproduced: p. 462
    Lambourne, Lionel. Victorian Painting. London, United Kingdom: Phaidon Press, 1999. Mentioned: p. 22-23; Reproduced: no. 18
    D'Argencourt, Louise and Roger Diederen. The Cleveland Museum of Art Catalogue of Paintings: Part Four;European Paintings of the 19th Century. Cleveland, OH: The Cleveland Museum of Art, 1999. Reproduced: p. 213
    Butlin, Martin, Luke Herrmann, and Evelyn Joll. The Oxford Companion to J.M.W. Turner. Oxford, United Kingdom: Oxford University Press, 2001. Reproduced: pl. 21
    Wilton, Andrew and Georg-W. Költzsch. William Turner: Licht und Farbe : eine Ausstellung in Zusammenarbeit mit Tate. Köln, Germany: DuMont, 2001. Reproduced: p. 248; Mentioned: p. 362
    May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001. Mentioned: p. 47-48; Reproduced: p. 47
    Meslay, Olivier. l'incendie de la peinture. Paris, France: Gallimard, 2004. Mentioned and reproduced: p. 98-99
    Adams, Laurie. A History of Western Art. Boston, MA: McGraw-Hill, 2004. Reproduced: p. 407, fig. 22.14
    Owen, Susan Margaret. Rivers and the British Landscape. Lancaste, United Kingdomr: Carnegie, 2005. Reproduced: p. 163
    Meslay, Olivier. Turner: Life and Landscape. New York, NY: Harry N. Abrams, 2005. Mentioned and reproduced: p. 98-99
    Iacono, Margaret. Masterpieces of European Painting from the Cleveland Museum of Art. New York, NY: The Frick Collection, 2006 Mentioned: p. 70-73; Reproduced: no. 14
    Gage, John. Colour in Art. London, United Kingdom: Thames & Hudson, 2006. Reproduced: p. 74, fig. 64
    Channing, Laurence, "Personal and Professional", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 46 no. 10, December 2006 Mentioned & reproduced: p. 4 archive.org
    Warrell, Ian and Franklin Kelly. J.M.W. Turner. London, United Kingdom: Tate Publishing, 2007. Reproduced: p. 184, fig. 130
    Gage, John, Hélène Tronc, and Odile Ménégaux. Turner. Paris, France: Citadelles & Mazenod, 2010 Mentioned: p. 356-357; Reproduced: fig. 282, front dust jacket
    Ogée, Frédéric. Turner les paysages absolus. Paris, France: Hazan, 2010. Mentioned and reproduced: p. 186-187
    Arnason, H. Harvard, and Elizabeth Mansfield. History of Modern Art: Painting, Sculpture, Architecture, Photography. Upper Saddle River, NJ: Pearson Prentice Hall, 2010. Reproduced: p. 13, no. 1.15
    Adams, Laurie. A History of Western Art. New York, NY: McGraw-Hill, 2011. Reproduced: p. 411, fig. 22.15
    Richter-Musso, Ines, Ortrud Westheider, James Hamilton, and Michael Philipp. Turner and the Elements. Munich, Germany: Hirmer, 2011. Reproduced: p. 184, no. 7
    .Buren, Daniel. Revealed: Turner Contemporary Opens. Margate, United Kingdom: Turner Contemporary, 2011. Reproduced: p. 22
    Costello, Leo. J.M.W. Turner and the Subject of History. Farnham, Surrey, United Kingdom: Ashgate, 2012. Reproduced: p. 95, fig. 2.17
    Treasures of the Cleveland Museum of Art. London, United Kingdom: Scala Books, 2012. Mentioned and reproduced: p. 228-229
    Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 288
    Moyle, Franny, and J. M. W. Turner. Turner: The Extraordinary Life and Momentous Times of J.M.W. Turner. London : Viking, 2016. Mentioned: p. 381; Reproduced: endpapers
    Lapucci, Roberta & Borgioli, Leonardo. "Un inedito duplice bozetto di Joseph Mallallord William Turner." Kermes: la rivista del restauro 29, no.101/102 (Jan./June 2016). Reproduced: p. 110; fig. 3
    Cheshire, Lee. London in Paint. London, United Kingdom : Tate Publishing, 2017. Mentioned & reproduced: P. 40
    Sotheby's. "Critical Reception." Old Masters, Evening Sale, July 5, 2017: 116-119. Reproduced: p. 119, fig. 18
    Hunter, Matthew C. "Curve, Line, Circle, Slash, Cross: A Diagram of Liquid Intelligence." Grey Room 69 (Fall 2017): 6-23. Reproduced: p. 13
    "A Bright New Welcome: The corridor in the museum's main entrance will be flooded with lights and color by Spencer Finch's Color Test 2010 (9 Permutations).” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 58. no. 2 (March/April 2018): 30-31. Reproduced: P. 31 and Mentioned: P. 30.
    Ehrlich, Linda C. "Turning Away from the Fire: A New Look at Films of Kore-eda Hirokazu." Framework: The Journal of Cinema and Media 60, no. 1 (Spring 2019): 116-140.
    Reproduced: p. 118, fig. 2
    “Reimaging the British Galleries: Our curators preview the new look of the space.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 59, no. 6 (November/December 2019): 5-7. Reproduced and Mentioned: P. 5.
    Masello, David. "Backlit: looking into Turner's light." Fine Art Connoisseur 17, no. 1 (January/February 2020): 90-93. Reproduced: p.92
    Reynolds, Graham. Turner. [Place of publication not identified]: Thames & Hudson, 2020. Reproduced: P. 157; Mentioned: P. 156, no. 142
    Faroult, Guillaume, Sophie Barthélémy, Sandra Buratti-Hasan, and Jenny Gaschke. Absolutely bizarre !: les drôles d'histoire de l'école de Bristol (1800-1840). 2020, 114. Mentioned and reproduced: pp. 113-114, fig. 46.
    Arcangeli, Francesco, and Filippo Milani. Dal romanticismo all'informale. 2020, 183. Mentioned: p. 192; reproduced: p. 183, No. 160.
    Imhof, Michael, and J. M. W. Turner. William Turner: Leben und Werk. Petersberg : Michael Imhof Verlag, 2023. Mentioned: p. 195; reproduced: pp. 192-193
  • Turner's Modern World. Kimbell Art Museum, Fort Worth, TX (organizer) (October 17, 2021-February 6, 2022) https://kimbellart.org/exhibition/turners-modern-world; Museum of Fine Arts, Boston, Boston, MA (March 27-July 10, 2022) https://www.mfa.org/exhibition/turners-modern-world.
    British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).
    J.M.W. Turner. National Gallery of Art, Landover, MD (organizer) (October 1, 2007-January 6, 2008); The Dallas Museum of Art, Dallas, TX (February 10-May 25, 2008).
    Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).
    Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007).
    CMA Highlights. The Cleveland Museum of Art (organizer) (June 21-September 11, 2005).
    J. M. Turner. Museum Folkwang, 45128 Essen, Germany (organizer) (September 14, 2001-January 6, 2002).
    Turner. National Gallery of Australia (organizer) (March 16-June 10, 1996).
    Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).
    Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).
    Turner Watercolors from The British Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 27-November 27, 1977).
    The Burning of the Houses of Lords and Commons. Royal Academy, London, United Kingdom (1835).
    Works of British Artists. British Institution, London, United Kingdom (1836).
    National Exhibition of Works of Art. Leeds, United Kingdom, lent by J. G. Marshall, Esg. (1868)
    Exhibition of works by the old master and deceased masters of the British school. Royal Academy, London, United Kingdom, lent by Victor Marshall, Esg. (1883),
    Turner: Imagination and Reality. The Museum of Modern Art, New York, NY (organizer) (March 23-June 19, 1966).
    Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956).
    Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943).
    Twentieth Anniversary Exhibition of the Cleveland Museum of Art. Cleveland Museum of Art, Cleveland, OH, lent by the Estate of John L. Severance (June 26-October 4, 1936).
  • {{cite web|title=The Burning of the Houses of Lords and Commons, 16 October 1834|url=false|author=Joseph Mallord William Turner|year=1835|access-date=29 March 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1942.647