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Current Exhibitions

Friday, February 7, 2020 to Sunday, November 29, 2020

FREE
For much of the 20th century, contact sheets (also called proof sheets) were vital to the practice of photography. The rising popularity of roll film encouraged more and more exposures; the best frame would be chosen later. The photographer first saw positive images on the contact sheet, which was marked up for printing and served as a lasting reference. Digital technology has put an end to that era: the photographer now sees the image instantly, and systems of storage, retrieval, and editing have become increasingly sophisticated.

Sunday, November 1, 2020 to Sunday, March 14, 2021

Second Careers explores the connections between historical African art and contemporary practices through a selection of exemplary highlights from the museum’s African collection and loaned works.

Sunday, November 22, 2020 to Sunday, October 3, 2021

The mola is a key component of traditional dress among the indigenous Guna (formerly Kuna) women of Panamá. Guna women have been sewing mola blouses since the turn of the 20th century, and they have become powerful symbols of their culture and identity.

Sunday, October 25, 2020 to Sunday, February 28, 2021

Bruce Davidson, one of the most highly respected and influential American documentary photographers of the past half century, offered an independent look at America in the age of visual and social homogenization presented by Life and Look magazines.

Saturday, March 14, 2020 to Sunday, November 29, 2020

This video accompanies the exhibition A Graphic Revolution: Prints and Drawings in Latin America, on view in the James and Hanna Bartlett Prints and Drawings Gallery.

Sunday, March 8, 2020 to Sunday, November 29, 2020

This exhibition is the first to highlight the museum’s collection of works on paper produced in Latin America over the past century. Representing a wide range of countries, including Argentina, Brazil, Chile, Cuba, and Mexico, the works survey how artists have explored national and cultural identity during periods of political upheaval and dramatic social change. In particular, prints and drawings provided artists such as Roberto Matta, José Clemente Orozco, Jesús Rafael Soto, and Rufino Tamayo with a means of self-expression well suited for formal experimentation and reaching the broadest possible audience.